EP06: Air.ratio, 2005
This work presents a selection of sound recordings made in Paris in buildings of various ages and dimensions. All the sound recordings were made using a pair of condenser microphones. Direct contact with the material was avoided. The recordings were subsequently assembled and equalized to optimize their abstract qualities, i.e. emphasizing only sonic particularities related to the acoustics of the point of listening, not events related to the external movements (sounds of doors, or voices): a listening devoid of both context and reference.
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